Delay Looper
Delay Looper
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Alter You Performing Voice with VoiceLive Touch
VoiceLive Touch from TC-Helicon provides over two hundred vocal effects for a budding musician. Featuring an integrated microphone stand mount, the device offers performers touchscreen control over effects such as reverb, delay and pitch correction. There's also multi-layered looping, the facility to store custom settings and inputs for guitar, USB media player and MIDI .
A capacitive touchscreen allows you to tap and swipe the user interface for various functions. TC-Helicon VoiceLive Touch measures 9 x 4 x 7 inch, and the interface features six effects blocks at the top which are used to shape the voice using such things as µMod chorus or flange, up to 2500ms delay and 30 pre-configured Reverb styles.
Underneath that sits the LED display, mix button and record followed by the preset or mix slider and incremental up or down keys. A "Talk" button allows the performer to temporarily bypass the effects to engage with an audience. There are over 200 presets to choose from, including auto pitch correction and a Global Tone feature that tailors adaptive EQ, compression and de-ess to a user's voice. Up to 25 custom favorites can also be saved.
The unit features a mono/stereo performance looper that allows the layering of sounds to enrich and add dimension to a vocal performance and the VoiceLive Touch gives vocalists the ability to create up to 25 separate loops with instant undo and redo functionality. Guitar vocalists benefit from dedicated reverb and µMod effects styles as well as a tuner and can get hold of an optional three button footswitch to make the device available at ground level too.
To the right side of the VoiceLive Touch are a couple of volume controls, one for the effects and a separate one for the headphone socket. As well as connections for mic and guitar to the rear there are also inputs for USB and MIDI devices. VoiceLive Touch will be available in the coming months for around $500.
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Live performing rig question! HELP!?
I have:
-a mic
-an acoustic/electric guitar
-an a/b box
-an akai E2 headrush delay/looper pedal (has one input, but 5 outputs)
-a marshall acoustic amp with two separate channels
NOW, here's the tricky part:
can i run both my guitar and mic signals into the a/b box, combine them, send them into the single input on the looper pedal, and finally split them again by plugging one cable from one of the loopers 5 outputs into one channel of my amp, and another cable from another of the 5 outputs into the other channel of my amp? Therefor, being able to loop both vocals AND guitar while being able to control them separately on my amp.
Is this possibly using this equipment, or have I completely gone mad?
I've seen videos on youtube of KT Tunstall somehow putting both her guitar/mic into the same looping pedal i own (so i know im not all crazy). How does she accomplish this? (for reference, type in "kt tunstall e2 headrush demonstration" on youtube)
If you want to control the guitar and a mic separately as they come out of the looper - you'd need a looper with multiple inputs and outputs. Such things exist they're really multiple digital delays with a common word/time clock to keep the outputs in sync.
You looper can't do that. Your "5 outputs" aren't really. In "tape echo" mode, you have 4 output heads and a dry signal out. That's if you want to send each "head" separately to a mixing board or tape machine.
In normal mode - 3 of the outputs are not operational - you have a dry output (basically a pass-through) and the "wet" or looped output.
Once two analog signals are combined, you can't split them back apart. So what you need is a simple analog mixer with
1- several input channels
2 - A separate A and B bus (can be Left/Right stereo bus as long as you can assign channels separately to them)
3 - A monitor bus
4 - A main bus
Inputs:
Mic Channel 1 -- Assign to Sub Mix A
Guitar Channel 2 -- Assign to Sub Mix B
WET looper output --- Feed back to Channel 3 - Assign to Sub Mix B
Effects send on Channel 1 and 2 --> input of looper
Output of looper --> instead of using the effects return (which is usually pre- EQ) bring back INTO the board channel 3 . Now you can treat it like any other input and assign to Submix B and also use the monitor output
Main Stereo Bus of your mixer --- goes to the house PA . This is your complete signal plus the output of the looper , mixed however you want.
Monitor Send -- feeds a vocal monitor system so you can hear your live vocal -- if you turn up the monitor mix on channel 3 (output of the looper) you'll get that in your vocal monitor as well
Bus A -- no external connection .. just feeds the main stereo bus of the mixer
Bus B -- pull off to go to your amp ... and to the main stereo bus of the mixer This is now amplifying your guitar AND the output of the looper on the stage
If you want another clean output - say to run your Mic into your stage amp as well ... just also assign it to Sub- B
That's about the best I can do. Your A/B box is not used in this scenario. You can get a nice little 6 channel mixer with the sends you need for around $ 1-200
Samson MDR624 $100 "6" channel (really 4 + 2 mono)
Mackie 802-VLZ3 $200 - "8" channel - Use the "Aux" send for the monitor in my set-up
www.sweetwater.com
A nice little mixer always comes in handy
Hardwire DL-8 Stereo Delay Looper Pedal