Reverb Effects
Reverb Effects
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 T REX TONEBUG REVERB EFFECTS PEDAL EXCELLENT CONDITION  US $68.00
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 Digitech XDV X Series DigiVerb Digital Reverb Pedal US $30.00
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 DigiTech HardWire RV 7 Stereo Reverb Guitar Effect Pedal US $65.00
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 Fishman AFX Delay US $100.00
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 Boss RV 3 MINT CONDITION US $96.00
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 New Mooer ShimVerb Reverb pedal Effect compact Pedal True bypass US $49.70
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 Line 6 Verbzilla US $65.00
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 Boss Digital Reverb RV 5 Pedal Excellent Condition US $51.00
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 New MOOER ShimVerb Reverb pedal Effect compact Pedal True bypass US $88.00
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 DANELECTRO BLT SLAP ECHO US $3.50
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 Boss RV 3 Reverb Guitar Effect Pedal US $100.00
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 Boss RV 3 Digital Reverb Delay global shipping no reserve US $149.99
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 Danelectro Spring King Effects Pedal DSR1 Guitar Reverb US $169.95
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 Boss AC 2 Simulator Guitar Effect Pedal US $6.16
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 Boss RE 20 Space Echo Delay Reverb Pedal US $169.99
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 TC Electronic NR 1 Nova Reverb Guitar Effect Pedal US $175.00
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 NEW DigiTech HardWire RV 7 Stereo Reverb Guitar Effect Pedal US $129.95
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 Line 6 Verbzilla Reverb Guitar Effect Pedal US $75.00
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 Malekko Omicron Spring US $139.99
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 Vintage PEAVEY Guitar Digital Stereo Reverb Effects Pedal US $98.00
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 Boss FRV 1 Fender 63 Reverb Pedal Legend Series US $31.00
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 BOSS Fender 63 Reverb Pedal COSM modeling US $26.00
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 ELECTRO HARMONIX HOLY GRAIL NANO US $109.99
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 Boss rv5 rv 5 rv 5 Reverb Pedal No Reserve US $2.26
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 Fishman AFX DELAY Pedal US $134.99
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 Boss RV 5 Digital Reverb Effects Pedal US $89.95
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 Boss RV5 Guitar Digital Reverb Effect Pedal US $99.99
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 Electro Harmonix NANO Holy Grail Brand New In Box US $121.50
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 MUZA FD900 M AMBIENCE REVERB DELAY STEREO OUTS NEW US $89.77
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 Behringer DR600 Digital Reverb Effects Pedal NEW US $35.99
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Phantom Reverb: Taming Time-Based Audio Effects
Phantom Reverb: Taming Time-Based Audio Effects
By Clay Butler
Ok, I’ve got to be honest. Growing up in the 80’s, I love reverb. There, now that I’ve gotten that off my chest, I’m going to address something in this issue that I refer to as Phantom Reverb.
Everything was huge the back in the 80's: huge drums, huge guitar solos, huge hair, and so…huge reverb. I suppose the mix had to make room for the band’s big hair. But, alas, gone are the days of expansive, cavernous ‘verb in favor of a more natural room sound, focusing more on early reflections rather than long decay times. Today’s trend is to make the listener sense as though the band is right in his or her face. But some novice engineers, as well as some of us more experienced ones, can unknowingly fall into the trap of adding too much reverb, simply because they don’t hear it yet.
Although mixing engineers resist the urge to crank the ‘verb in the mix stage, the dreaded Phantom Reverb rears its head during the mastering process. Mastering engineers use compression and limiting to increase the perceived volume of a recording. If you think of the dynamics of a song as a mountain range, limiting and compression “cut off” (or at least “push down”) the mountain peaks (loud moments) so that they are close to, or even level with, the valleys (quiet moments). Then everything is then pushed up together as high as it will go. In essence, this process makes the quiet moments of the song perceivably louder, and with it, the reverb. In the mix process, the reverb was very subtly sitting in the mix, where it was psychoacoustically “felt” more so than actually heard. Whereas now, in the mastering process, the reverb has swollen to where it is much more noticeable on a conscious level. While this might not always be a big deal, sometimes it can adversely affect an otherwise good mix by making it sound dated.
The key to keeping the Phantom Reverb in check is to force yourself to mix in less reverb than you think you need, knowing that it will appear louder once the track is mastered. Another trick that I use is to increase the output volume on my reverb unit, nudge up the effects return on the console, or increase the volume on the bus I’m using for reverb in my DAW somewhere between 3-5db. Then, when it’s time to print the mix, I’ll pull it back down. Just don't forget to pull it back down!
http://www.claybutlermusic.com
© 2008 Butler Productions
About the Author
Clay Butler is the lead instructor for the Recording Studio Technology program at West Georgia Technical College as well as the owner and chief engineer of Butler Productions Multimedia. Butler Productions is an audio production facility which specializes in music production, on-hold messaging, voiceover, jingle production, and royalty-free music. Butler Productions’ live credits include supplying sound reinforcement for acts as notable as John Mayer, John Waller, The Tams, and After Edmund. As a composer and producer, Clay has produced numerous tracks for use in television and film. For more information about Clay or Butler Productions, visit http://www.claybutlermusic.com.
What would you say is the best sound editing software available. Adding reverb and other effects to voice.?
try Adobe Audition (the music master, audio mixer and synthesizer).. thats so cool.. we were able to reverse the music... make the vocals or bass stand out.. distort it if you want... try it and have fun!!! hahahah!!
wont hurt to try...
Reverse Reverb Effect in Cubase 5